My BoW tutor suggested that I might find Frank Watson’s Soundings from the Estuary (the Estuary) of interest. Watson shares images from the project on his website (https://frankwatsonphotography.com/soundings-from-the-estuary/).
The Estuary shows expansive, bleak landscapes without people. Buildings tell the stories of past and present uses of the landscape, and detritus washed up on the shore are tales of property carelessly discarded. This is no beauty spot, but I am drawn to its uncommonly represented space. A fascinatingly ugly place embellished by the scars of human activity. It is almost monochrome antidote to oversaturated blues and greens. Looking at work that has similarities but has no personal connection, helps me articulate what I like in the canal. There is perhaps space for thoughts to breathe more easily.
A striking difference to the canal is the Estuary’s expansiveness. While shooting yesterday around an urban area, I thought about how enclosed the canal is; often screened by trees and hedges from the open landscape that surrounds it, sometimes constructed along the lower sides of hills and enclosed by terraced housing and old industrial buildings. One cannot easily leave the canal without following a formal pathway. There is a narrow, 2 meter wide towpath as the only route between mirky water and overgrown hedgerow; it could become oppressive in places. When it passes through open countryside, the vistas broaden and can become expansive. This contrast might be used in sequencing images.
There are ideas here for how I might articulate my own project and I’ll revisit these for A3.