BJP’s July 2019 issue looks at projects that ‘celebrate unforeseen beauty in our shared landscape’. I first read this as ‘unseen’, which I understood as unnoticed or disregarded, but ‘unforeseen’? I suppose surprising or unusual. The article features 3 projects with unusual takes on the landscape and perhaps a source of inspiration as I shape my own perspective on the landscape. I found all three interesting, including still lives built around objects collected by retracing London bus routes on foot and views of the Eiffel Tower from many different houses. But I look a little closer here at Caleb J Adam’s work on Menorca’s fiesta of San Joan (https://www.calebjadams.com/santjoan).
The work records the island’s spectacular horseback festival, but doesn’t just focus on the spectacular. Adams includes quieter moments away from the action, including indoor scenes that are completely removed from the action. This gives an expansive view of events and seems to break ‘the tyranny of linear perspective’. I suspect some viewers might find the work disjointed but really it is just ‘unforeseen’ – not what we have come to expect.
I have a number of quiet photographs, not over-looking the canal, that I’ve been wondering what to do with. In an earlier post I wrote about an idea for contrasting the banal landscapes with the picturesque but these moments seem to sit outside that contrast. Perhaps I could include them as occasional interludes, isolated on the page as they are in space.